WERE THE MEDICI JEWISH???

CONTENTS:

(1) "Well... the Medici were all Jewish... of course..."

(2) "Medici money was Jewish money..."

(3) " 'Medici' means' 'Medical Doctors' and Medical Doctors are usually Jewish..."

(4) "The Medici always hung out with other Jews..."

(5) JEWISH MEDICI! Here are the exceptions that prove the NOT-JEWISH rule...

The Medici were Jewish...

This intriguing premise has persisted until the present day— defying time, historical evidence and common sense.

The Chapel of the Princes at the Basilica of San Lorenzo in Florence, burial place of the seven Medici Grand Dukes of Tuscany.

FOR THE RECORD:

The Medici family dominated Florentine politics and culture for four centuries.

Along the way, they produced four popes: Leo X (1513-1521), Clement VII (1523-34), Pius IV (1559-65) and Leo XI (1605).  Also, no less than nineteen cardinals.

At no time— from the primordial Giovanni di Bici (1360-1429) to Anna Maria Luisa "Last of the Medici" (1667-1743) —were they not professed Catholics.

The Holy Family: Grand Duchess Vittoria della Rovere de' Medici channels the Virgin Mary with her son (the future Grand Duke Cosimo III) as  Jesus. The role of Joseph is enacted (somewhat oddly) by the boy's tutor Cosimo Giraldini. (Painting by Justus Suttermans, 1647-9; Florence, Galleria Palatina).

Jewish Medici!!! Of all things... Where did this stuff come from anyway?

Mostly the realm of historical fantasy ...I would say... with just a tinge of fact to complicate matters.

Let's try out a a favorite story line:

* The Medici were bankers and they made a great fortune lending money at interest.

* Lending money at interest was forbidden by the Church as the mortal sin of "usury".

* Meanwhile, Jews in various parts of Europe happily enriched themselves through usury, just like the Medici.

* So, the Medici could not have been Christian and were obviously Jewish.

The arms of Pope Leo XI (Alessandro de'Medici) on the Archbishops's Palace in Florence.

If you follow that train of thought, the balls on the Medici Arms are visual proof— representing either coins or bags of money, as you wish.

Both readings, however, are equally tenuous. In heraldry, balls (properly "roundels") are merely a notional device.

They usually signify "armorial balls" and nothing more —in whatever number, color and arrangement they appear.

Duncanson and Edwards, a historic pawnbroker on Queen Street in Edinburgh The truncated word next to the ADT security alarm is in fact "Jewelry".

There is seeming evidence to the contrary— circumstantial or not.

Three pendant balls is the universal sign of a pawnbroking establishment, Medici-adjacent at least.

And in English (particularly British English), "going to the Jews" has long denoted "borrowing money at interest", usually from pawnbrokers and often on extortionate terms.

From The Pawnbroker, a harrowing 1964 film that cuts between the Holocaust and latter-day America.

Even today, the juxtaposition of a pawnbroker's sign and a Jew (especially an elderly Jew) can trigger intense emotions, conjuring a long and fraught history.

But as for the alleged Medici Balls dangling over the shop, there are other competing theories.

Neri di Bicci shows Saint Nicholas pitching gold through the girls' bedroom window (1460-70, Yale University Art Gallery)

Probably the most convincing involves St. NIcholas of Bari— not coincidentally the patron saint of pawnbrokers. He is revered for his charitable gift of three bags of gold to three dowry-less girls, allowing them to marry and escape a life of prostitution.

A modern statue of Saint Nicholas as bishop —with three golden balls.

"Medici Money = Jewish Money" might seem a neat piece of deduction, if only things worked that way in the past.

Christian supplicant to Jewish money-lender, both of whom knew the deal, "I am not asking you to give me what is my due, but rather—as I understand it— ready cash against guarantees or collateral." (Nuremberg, 1531).

No one can deny the ancient tradition of Jewish money-lending in Christian lands, which Church authorities condoned at least sporadically.

Christ Chases the Money Lenders from the Temple in Jerusalem, a perennial emblem of the Church's war on Jewish usury (fresco by Giotto di Bondone in the Scrovegni Chapel in Padua, 1303).

As for Christian loan-sharking, we know that the Church insistently banned their faithful from business of that sort —time and again, implying that the ban never really stuck.

Tim Parks offers an inside view of the culture of high-level Christian usury during the ascent of the Medici family in the 15th Century. Gentile capitalists could spin intricate webs of theological quibbles and moral reservations, while making vast fortunes without the help of Jews.

In Chapter 7, The Market I assess Jewish business practices in early seventeenth century Florence—usury and crypto-usury included.

Meanwhile, we should never underestimate the infinite flexibility of Catholic Dogma, the Church's perennial skill at playing all sides of every game and man's insatiable inventiveness (whatever his faith) when it comes to personal gain.

Fra Luca di Bartolommeo Pacioli's The Epitome of Arithmetic... the first printed treatise on double-entry book-keeping and other related skills (Published in Venice in 1494)

In Italy, the Fifteenth Century was the heroic age of modern commerce. The Medici and other mercantile families cultivated an expanding range of methods and means —monetizing goods and services in cash, in kind and on paper.

Luca Pacioli, Franciscan monk and pioneer of creative capitalism, presents his 1494 treatise.

In his momentous publication, Pacioli specifies nine principal ways of making acquisitions: (1) by cash, (2) by immediate credit, (3) by exchanging one item for another, (4) partly in cash and partly with credit, (5) partly in cash and partly by goods, (6) partly by goods and partly by exchange, (7) partly by goods and partly on time, (8) partly by credit and partly by time draft, (9) partly by credit, partly by time draft and partly by goods.

Five of these nine modes involve delayed payment, opening the door to usury and its various derivatives.

Giovanni di Bici (1360-1429) founded the Medici family fortune by exploiting the financial structures that supported their traditional commerce in wool. (Portrait by Agnolo Bronzino; Uffizi Gallery, Florence.)

Well before Pacioli's treatise, Giovanni di Bici de'Medici was already covering much of the same ground— deploying money in Rome, Venice, Naples and elsewhere on behalf of his family's burgeoning Florentine bank.

There were many ways that more-or-less Good Christians (Medici and otherwise) could profit usuriously while pretending to do something else.

Above all, there was the "money-changing" and "money-transferring" dodges. You could pay out cash in one currency and recoup it months or years later, in another currency or another place, while racking up hefty "service fees".

Often this occurred only on paper, in notional "money of account", generating illicit interest in all but name.

In Florence. the Medici bank had its headquarters on the ground floor of their great family palace, accessed by an open loggia on the corner (with their coat-of-arms above). The monumental arches were later filled in (by Michelangelo Buonarroti), when the Medici got out of the banking business and restyled themselves as hereditary sovereign princes.

For five generations— from Giovanni di Bicci (1360-1429) to Cosimo the Elder (1389-1464) to Piero the Gouty (1416-69) to Lorenzo the Magnificent (1449-92) to Piero the Fatuous (1472-1503)— the Medici of Florence presided over an international financial empire while emerging as heads of state.

Cosimo the Elder entrusts the project for the Medici family Church of San Lorenzo to the architect Filippo Brunelleschi and the sculptor Lorenzo Ghiberti. (Fresco by Giorgio Vasari, Florence, Palazzo Vecchio)

Cosimo's power of the purse is on full view.

All along, there was a curious scheme of moral equivocation at play, based on the deferred laundering of ill-gotten gains— spiritual usury, if you will.

For much of their lives, the Medici and other businessmen could amass troublesome fortunes, then redirect conspicuous sums to good works as the end drew near.

In the heart of quattrocento Florence, Lorenzo the Magnificent presides vicariously over the establishment of the Franciscan Order several centuries earlier. (Fresco by Domenico Ghirlandaio, 1483-86, Sassetti Chapel, Basilica della Santissima Trinita, Florence)

Lorenzo the Magnificent (second from the left) is flanked by Francessco Sassetti (second from the right),  general manager of the Medici family bank.

In Florentine public life, there were ample opportunities for performative virtue— especially if you were Catholic (like the Medici) and pretty much owned the city.

Vow of Poverty: the young Saint Francis renounces worldly goods while the financial elite of later-day Florence learn whatever lesson they choose. (Ghirlandaio, Cappella Sassetti, Florence)

The name "Medici" does indeed mean "medical doctors".

Following that train of thought, some imagine that they are looking at pills not coins or sacks of money on the coat-of-arms.

An Apothecary’s Shop, circa 1500 (Fresco, Castello d’Issogne, Val d’Aosta)

Then they see Saints Cosmas and Damian in the entourage— shared patrons of both medical doctors and the Medici family.

Saints Cosmas  and Damian at work from Fra Angelico's San Marco Altarpiece, circa 1438-43 (Washington, DC; National Gallery of Art)

According to the story, these twin brothers practiced medicine in 3rd Century Syria, treating patients for free while converting them to Christianity— thereby earning martyrdom and a place on the Church calendar.

As for their association wtih the Medici family, that is indeed a historical fact —but only a belated one.

Grand Duke Cosimo I de' Medici (1519-74 ) as Saint Damian, left , and Cosimo the Elder (1389-1464) as Saint Cosmas, right (Giorgio Vasari ; Florence, Palazzo Vecchio)

Thereby hangs a tale...

A pair of Medici twins was born on 27 September 1389 —the Feast of Saints Cosmas and Damian.

People took "destiny" seriously in those days, so the conjunction of twins, medical saints and the Medici name could not be ignored (although there was only a plausible assumption that their forebears might once have practiced medicine).

The two boys were named Cosimo and Damiano, but Damiano promptly died— leaving Cosimo and his descendants to chart the course of Medici history.

That included Cosimo the Elder (the original Cosimo; 1389-1464) and three subsequent Grand Dukes of Tuscany: Cosimo I (1519-74), Cosimo II (1590-1621) and Cosimo III (1642-1723).

A scene at Mount Sinai Hospital in Toronto in the 1920s.

The instinctive overlap of “Jews” and  “doctors” can seem quaint these days —at least in America, where your guy is as likely to be named Patel, Chang or Sayed as Ginzberg.

But meanwhile, there was indeed a notable history of Jewish doctors reaching back to the time of the Medici and beyond.

A 17th Century medical diploma from the University of Padua; it has been associated with a Jewish graduate due to the invocation In “In Dei Aeterni Nomine Amen” (“Truly in the Name of the Eternal God") rather than the unequivocally Catholic “In Christi Nomine Amen” (“Truly in the Name of Christ”). This conclusion is problematic since the designated graduate is Domenico de Marchettis from a celebrated dynasty of Catholic surgeons.

Italian universities generally excluded Jews, although a few (primarily Padua, but also Siena and very rarely Pisa) admitted them to their faculties of medicine and no other.

For Jews, Medicinae Doctor was the only social and professional distinction formally recognized by the Christian authorities.

In fact, many Rabbis were also licensed physicians, thereby enhancing their status and supplementing their income.

Jewish Medical Doctor in Turkey (Nicolas de Nicaly, 1568)

In the Middle Ages and Renaissance, medicine was primarily a theoretical study, linked to philosophy, astrology and sometimes the occult.

With their proprietary interest in Kabbalah, Jews were thought to have a distinct edge in accessing healing powers.

Some could also channel knowledge from the East, including ancient Greek treatises that survived only in Arabic translation.

In later years, with the expansion of empirical research in the universities and the scientific academies, Jews could also draw on a widening range of modern skills and expertise.

Doctor Roderigo Lopes conspires with a Spaniard to poison Queen Elizabeth  (print by Esaias van Hulsen; Wellcome Library, London)

There were relatively few Jews in Italy and Europe at the time of the Medici and not many Jewish medical doctors. Those few, however, gripped the public's imagination— especially  highly-skilled "Portuguese Physicians" (usually professing Christians with a crypto-Jewish past).

Probably the most notorious case was that of Roderigo Lopes. His father was a royal physician at the Portuguese court, of Jewish descent like many. Roderigo himself was raised as a Catholic and took a degree in medicine at the University of Coimbra —but fled to England in 1559 when accused by the Inquisition of “Judaizing” (indulging in secret Jewish practices).

Doctor Lopes converted to Anglicanism and launched an enviable medical career based in London, with Elizabeth I as his patient. This all collapsed in 1594, when the queen’s favorite Robert Devereux (2nd Earl of Essex), accused the Portuguese doctor of plotting with England’s enemies to poison his royal charge.  

Evidence was tenuous but the pervasive distrust of both Jews and Iberians carried the day, so Lopes was hanged, drawn and quartered before a large crowd. On the scaffold, he allegedly asserted that "he loved the Queen as well as he loved Jesus Christ”, eliciting ironic laughter.

Elia Montalto's monumental treatise of 1606, "Optics in the context of philosophy and medicine, accurately encompassing the theory of sight, the organ of sight and its relation to the object" was published in Florence and dedicated to Grand Duke Ferdinando’s son Cosimo (later Cosimo II).

Almost as sensational was the case of Elia Montalto (1567-1616) who served three members of the Medici family: Grand Duke Ferdinando I and Grand Duke Cosimo II in Tuscany and Queen Maria de'Medici in France.

Born in Portugal in 1567 to a distinguished family of “New Christians”, Montalto attained his degree in medicine at the University of Salamanca. There he was known as Felipe Rodrigues de Castelo Branco, a grand gentile apellation.

In 1602, the Montalto family resettled (evidently as Catholics) in the cosmpolitan Tuscan port city of Livorno. The doctor then established himself at the University of PIsa and also at the Medici Court. After this initial success, he encountered a series of professional obstacles, likely linked to his suspect origin.

Then in 1606, he fled to Venice and took up residence in the Ghetto as a declared Jew, calling himself Philotheus Eliahu de Luna Montalto.

"Letter Regarding Spain presented to the Queen Regent by Lord Philothée Elian de Mont Alto" (Paris 1614). Montalto expresses his gratitude to the royal patron who allowed him to live openly in his faith.

Montalto then entered the service of Queen Maria de'Medici (niece of Grand Duke Ferdinando), serving as her personal physician. As the only professing Jew allowed to live in the Kingdom of France, he emerged as an outspoken polemicist, fiercely defending his people's rights and prerogatives.

Jacob van Ruisdael's The Jewish Cemetery (1654/55; Detroit Institute of Arts). Montalto's tomb is the conspicuous white construction, spotlit in the middle.

Montalto died suddenly in 1616, while accompanying the royal court on a visit to Tours. His patroness then ordered an astonishing tribute— embalming his body and transporting it to the new Portuguese Jewish cemetery in Ouderkerk near Amsterdam.

The physician’s impressive tomb quickly became one of the cemetery's chief sights, often depicted by artists. Jacob van Ruisdael featured it in his most famous painting, The Jewish Cemetery—a moving evocation of time and human mortality.

The Medici Doctor-Saints Cosmos and Damian (detail), Apollonio dii Giovanni, c.1460 (Galleria dell'Accademia, Florence)

IN CONCLUSION: Were the Medici of Florence Jewish Medical Doctors?

We can tabulate the facts, then answer with a resounding "NO!"

(1) We have Medici (the Tuscan dynasty, four centuries of them on the world stage) and medici (medical doctors, present and past).

(2) The Medici might well have been medici at some phase in their evolution but that remains to be proven.

(3) During the four relevant centuries, some medici (medical doctors) were Jewish and a few of them were associated with the Medici family.

(3) But as for actual Jewish Medici (with a capital “M”)... we can't get there from here!

Crucifixion with Trinity and Saints, Apollonio dii Giovanni, c.1460 (Galleria dell'Accademia, Florence)

"Members of the Tribe!"

"You know how clannish Jews are!"

"And the Medici were right there in the mix!"

JEWISH HEAVEN: Left to righ: Joan Rivers, King David, Rabbi Hyman Krustofsky (deceased father of Krusty the Klown), Golda Meir, Gal Gadot (alive and well in real life), Albert Einstein and Moshe Dayan (from The Simpsons. Season 30. Episode 1, September 30, 2018) Note the Arabic language captioning,

We have all heard this, but what does it mean— in regard to the Medici at least?

Since we are already bouncing on clouds, let's dive into AI...

What goes around comes around—or not? When I clicked on the Virtual Jewish Library link to sources, I was amused to see that their supporting material was stuff that I wrote for the the Medici Archive Project a couple of decades ago. "Golden Age", I assure you, is not a term that I ever used in this context—even in quotes.

The Jewish Golden Age and the Medici Golden Age.

"Economic Cooperation" and "Significant Intellectual Exchange".

Is any of that true???

I can give you a good Jewish answer: Yes and No...

An Italian Passover Seder from the Forlì Siddur (1383, British Library)

Looking back over the centuries, we can only conclude that no one ever liked the Jews very much.

The question, therefore, is not who wished the Jews well but who wished them less ill.

Girolamo Savonarola (1452-1498), a Jew-hating Dominican friar, preaches to an enthralled crowd in Florence Cathedral (from the Compendio di revelatione / dello invtile servo di Iesv Christo frate Hieronymo da Ferrara dellordine de Frati Predicatori; Florence, 1496)

As for the Jews and the Medici, they shared essential enemies —which is perhaps what mattered most.

When the Medici were expelled from Florence in 1490s, during the brief but turbulent dictatorship of Savonarola, the Jews were sent packing too.

The Jews followed the Medici out the door again in 1527, during the final upheaval that ended the Republic and substituted a Medici princely state (ultimately the Grand Dukedom of Tuscany).

Botticelli's Primavera (Uffizi Gallery, Florence): the luxurious neo-paganism that characterized much of Medici culture did not permeate the entire city.

We have come to see the Medici as the epitome of Fiorentinità (Florentiness)— although many would not have agreed back in the "Golden Age".

In fact,the Medici and their opponents were locked in an intense struggle for Florence’sidentity (some would say its soul). Savonarola led the attack but— predictably enough—he had a second enemy in sight: Jews and particularly Jewish usurers.

From Giorgio Chiarini, Libro di Mercatantie, Florence, 1497 (first edition 1481)

From the time of Cosimo the Elder earlier in the century, the Medici countenanced and perhaps even welcomed the activity of Jewish moneylenders in their proximity. The Jews were not in direct competition and they served various purposes—offering a parallel stream of liquidity while also servicing small Christian borrowers in whom the Medici were not particularly interested.

MONTE DI PIETA' Not only did Savonarola expel the Jews from Florence, he uprooted their moneylending activity with the Monte di Pietà.

As for theMedici, they soon pulled out of their own accord

"Economic Cooperation" and "Significant Intellectual Exchange". Let's start with the first

Big buseiness then and now had an international focus

Savonarola promoted the conversion or otherwise expulsion of the Jews and the eradication of Jewish moneylending

The Medici espoused an essentially capitalist world-view. They were basically in favor of anything that was good for business. Meanwhle, public order was good for the markets.

While practicing Christians, they opposed religious extremism and were generally inclusive in accepting and promotingliberal ideas--which in the 15th Century implied the refined culture of classical humanism

and promoted public order,

The heart of Renaissance culture; Lorenzo the Magnificent amidst the scholars and writers he patronized. (Fresco by Giorgio Vasari, Sala di Lorenzo il Magnifico; Paalazzo Vecchio, Florence)

If this is Medici Jewish Cultural Heaven, why are there no Jews in the picture?

Maybe because they were part of the story, but not the official one you paint on palace walls?

"With the Medici right there in the mix!"  I wonde  what means?!

Jewish history is a running tale of degrees of separation

of calculated indirection and hedged bets

A free scholarly exchange with Jews in the conversation (a unique moment)

A series of elsuive questions with no clear answers

In Early Modern Europe, life was rough for the Jews almost everywhere

Ranged from awful to less bad to almost good

In Florence, the Jews could practice their faith while living in a tiny ghetto wih many restrictions.

Livorno

The history of the Medici family was long and often turbulent

In Florence, the Jews were usually better off when the Medici were in power and are far worse when they were out.

It was all relative however...

The Medici always hung out with Jews...as everyone knows...

They even spoke Hebrew...at home...when no one could hear them

Kabbalah

Conversation

The Medici always hung out with Jews...as everyone knows...

They even spoke Hebrew...at home...when no one could hear them

Kabbalah

Conversation
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