
















































In a "Little Library" in Washington DC, I happened upon "Mussolini: The Wild Man of Europe"— John Bond's eccentric exposé of Benito Mussolini, printed in the Nation's Capital in 1929.
In my first post, "Wild Man, Part 1", Bond helped reveal the inner workings of the Ku Klux Klan in Washington DC, Atlanta GA and Altoona PA.
Here in "Wild Man, Part 2", we take Bond's book to Fascist Italy and view the Duce through the outraged author's eyes.
In "Wild Man", Part 3", we bring Bond back to Philo-Fascist America. There we see the Duce lauded by Italian Americans, by Hollywood celebrities and by the mainstream press.
Who was John Bond? A "Militant Freemason", a virulent anti-Catholic and an anti-Mussolini conspiracy theorist.
How about his message? Bond was strange and obsessed but he wasn't always wrong.

In a "Little Library" in Washington DC, I happened upon "Mussolini: The Wild Man of Europe"— John Bond's eccentric exposé of Benito Mussolini, printed in the Nation's Capital in 1929.
In my first post, "Wild Man, Part 1", Bond helped reveal the inner workings of the Ku Klux Klan in Washington DC, Atlanta GA and Altoona PA.
In "Wild Man, Part 2", we took Bond's book to Fascist Italy and viewed the Duce through the outraged author's eyes.
Here in "Wild Man", Part 3", we bring Bond back to Philo-Fascist America. There we see the Duce lauded by Italian Americans, by Hollywood celebrities and by the mainstream press.
Who was John Bond? A "Militant Freemason", a virulent anti-Catholic and an anti-Mussolini conspiracy theorist.
How about his message? Bond was strange and obsessed but he wasn't always wrong.
WORK IN PROGRESS

History has given a free pass to Guglielmo Marconi, who was both a scientific genius and a Fascist ideologue.
There are two stories to tell—first in Italy and then in America.

In 1930s America, Guglielmo Marconi, the inventor of the radiotelegraph and Italo Balbo, the aeronautical "Second Columbus" led a brilliantly orchestrated public relations campaign on behalf of Benito Mussolini's regime.
Fascist Italy commanded a dazzling array of scientific, technological and cultural resources. It channeled them all— astounding the American public at Chicago's Century of Progress Exposition in 1933-34.

Benito Mussolini had a rare knack for signs and symbols. Throughout Italy, they still follow us wherever we go.
What about Florence's ubiquitous "Anno Fascista = Fascist Year" sewer caps?
Thereby hangs many a tale...

What if the Duce threw a World's Fair and no one came?
That is basically the story of the E.U.R. (Esposizione Universale Roma 1942)—one of the Eternal City's strangest and most intriguing districts.
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