MUSSOLINI: THE WILD MAN OF EUROPE

CONTENTS:

(1) ODE TO THE LITTLE LIBRARY

(2) THE WILD MAN OF EUROPE

(3) FREEMASONS, KLANSMEN AND OTHERS

(4) ANTI-CATHOLICS AND ANTI-ITALIANS

(5) JOHN BOND IN ROME

(6) THE MUSSOLINI MOMENT IN AMERICA

(7) WHO WAS JOHN BOND?

Take a Book! Share a Book! (Photo Edward Goldberg)

(1) ODE TO THE "LITTLE LIBRARY"

After decades abroad, one of the great joys of life back in the United States is the proliferation of Little Libraries —chockful of fun things to read, all for free and in English too!

I love having the fates guide my reading, tossing me into literary byways I barely knew existed.

November 18, 2019: Queuing around the blook for a booksigning by Michelle Obama.

Still, I  live only a few blocks from Politics and Prose, in the raised-consciousness bubble of Ward 3 (Upper Northwest Washington DC).

So, my discoveries —while endlessly intriguing— often run through predictable local channels.

"Former first lady Michelle Obama holds hands with Kaitlyn Saunders, 8, next to her mother Katrice Saunders, of Washington, after the 8-year-old told Obama how inspired she is by her and how she is a competitive figure skater, as they buy signed copies of Obama's book, "Becoming," Monday Nov. 18, 2019, at Politics and Prose Bookstore in Washington." (AP Photo/Jacquelyn Martin)

This is Washington after all, a strangely unquantifiable place.

It is perpetually at the center of the world's attention, superpower capital and all that.

Meanwhile, it remains an oddly shapeless town, craving a unique sense of place that might or might not exist.

A composition on my cofee table. (Photo Edward Goldberg)

God knows, they try!

I could easily fill my living room— floor-to ceiling— with eager Washingtoniana from Little Libraries within a one-mile radius of my home.

Another composition on the same coffee table. (Photo Edward Goldberg)
Washington is where "cute"goes to die.

There are serious historical studies, for sure, and shrewdly observed novels —but far fewer of the latter than you might expect.

Not a Little Library book, alas! First editions of Advise and Consent (1959) are worth hundreds.

But above all, Little Libraries overflow with bright-eyed feel-think from the talking heads of yesteryear (often concocted on their way out the door).

Dan Quayle's, Standing Firm: A Vice Presidential Memoir (1994)

Also "inside glimpse" picture books from every presidential administration, now looking more or less alike.

Hillary Rodham Clinton's An Invitation to the White House: At Home WIth History (2000) in gold-bordered coffee-table format.

Then— perhaps most intriguing —we have a steady stream of "collectibles" with the shelf life of unrefrigerated crème fraîche.

Wacky Washington Cut-Ups from 1996. Where are they now? Mostly still around.

You can't imagine how much DC whimsy I scoop out of Little Libraries and then —coming to my senses —offload in others before returning home.

At times, however, I wish that I had held on to the Bill 'n Hillary Bobbleheads, the Road to the White House Board Game and and a few of those recurrring sets of DC Politicards.

(2) THE WILD MAN OF EUROPE

Another nearby Little Library. (Photo Edward Goldberg)

Washington's Little Libraries can be endearingly silly.

But sometimes—in their randomness —they crack open the past and make us rethink what we know.

(Photo Edward Goldberg)

Like it or not, this qualifies as Washingtoniana too.

Bond was also the author of "In The Pillory" (see below)

The Fellowship Forum and the Independent Publishing Company were joined at the hip in the Nation's Capital and exerted massive influence in their day.

But first, let's take a look at Wild Man.

The cover image of John Bond's book.

Bond was not a born wordsmith, piling up shapeless paragraphs where single sentences would do.

Meanwhile, he compensated— almost obsessively —with vehement headings from hither and yon.

Mussolini: The Wild Man of Europe (Contents)

Vanity and violence... Unpleasant Traits... The Old Ego Remains...

Bond— it seems —had "Marvelous Mussolini" stuck in his craw, right out of the gate.

Wild Man (Preface)

The Duce's media assault on American values is clearly working.

But what motivates this "Superman" anyway?

The author discerns three "purposes".

Wild Man (preface)

"Hyphenism"? "Italian-American" would be a prime example, it seems.

"Alienism"? A word of his own devising— from "alien" meaning "foreign" —signalling less than total commitment to the American Way of Life.

Chapter Heading, Wild Man, p.117. We will be looking at this again in Section 6 : The Mussolini Moment in America.

"Weeds" and "hothouses"? The metaphors come thick and fast.

Bond exposes a dire conspiracy at home and abroad, masterminded by the Duce himself.

Subverting the "Italian Vote" —otherwise "Italian-American" —is a chief goal.

Wild Man (preface)

In the economic sphere, Mussolini commands the resources of his Corporate State, channeling them wherever he pleases.

Wild Man (preface)

Thus he manipulates American public opinion —in pursuit of his global ambitions.

Chapter Heading, Wild Man, p.95. We will return to this theme in Section 5: John Bond in Rome.

What is Dictator Mussolini's endgame— according to John Bond?

Nothing less than a Clerical-Fascist Empire jointly ruled by the Duce and the Pope.

(3)  FREEMASONS, KLANSMEN AND OTHERS

"Freemasonry's Representative at the Capital of the Nation" (circa 1921)

Heady stuff! But who was John Bond writing for?

Based in Rome, he operated as the "European Correspondent of The Fellowship Forum".

This was "A National Weekly Devoted to the Fraternal Interpretation of the World's Current Events".

The Fellowship Forum was printed by The Independent Publishing Company, both headquartered in Washington DC.

The Independent also issued several of Bond's books, including Mussolini: The Wild Man of Europe.

The journal, the publisher and the author all shared a "Fraternal" point of view— meaning what exactly?

The New York Times went straight to the point in the summer of 1927, while assessing The Forum's request for a radio broadcasting licence .

From Washington: June 29, 1927, Special to the New York Times.

The Times set the stage in their very first sentence, "The Fellowship Forum, alleged Ku Klux Klan publication, devoted in large part to attacks on the Roman Catholic Church..."

New York Times, June 29, 1927

James S. Vance, the paper's general manager, fired back when the Forum's plan for a "Patriotic Protestant America" broadcasting station stalled out.

"Stories" were circulating about the Forum.... Were they "untruthful" like Vance claimed?

Whatever Vance and his crew were saying and doing, they had moved beyond simple words into the murky realm of coded messaging.

The Fellowship Forum , "A National Voice for Protestant Fraternal America", on the heading of a solicitiation dated March 3, 1926 (see below).

In "100% American" circles (to use a favorite catchphrase of the time), "Protestant" meant "Non-Catholic" and usually "Anti-Catholic" as well.

"Fraternal" was another favored term of art, evoking friends and neighbors in thousands of predominantly White Protestant lodges across America (Odd Fellows, Elks, Moose, Knights of Pythias and whatever else).

The Forum reported on a wide swathe of these organizations while privileging Freemasonry and the Klan.

In practice, there was a recurring overlap between those two —and when you hear "Militant Freemasonry", "Ku Klux Klan" is strongly implied.

(For the complex and often fraught relationship of Freemasonry, Militant Freemasonry and the Klan in those years, see Adam Kendall's impressive and well-sourced survey, "The Ku Klux Klan, Freemasonry and the American Fraternal Press", Ars Quatuor Coronatorum, vol. 134, 2021).

"Freemasonry's Representative at the Nation's Capital", a newspaper subscription form dated August 11, 1922.

The Fellowship Forum was founded in 1921— conspicuously based in Washington DC.

By 1927, this "National Voice for Protestant Fraternal America" had attained a circulation of over a million.

The Scottish Rite Masonic Temple in Washington (1911-15; Photo Franz Jantzen)

Freemasonry has a long history in the Washington area with many powerful adherents, going back to George Washington himself.

This Fraternal Order developed a network of influential connections across Protestant America (with some Jewish involvement as well).

The Masons did not need to exclude Catholics, since the Church got there first. As a secret society, Freemasonry was deemed incompatible with the Roman faith and membership triggered instant excommunication.

The Ku Klux Klan shows its might in view of the Capitol in 1925.

In 1915, the Ku Klux Klan was refounded —after its suppression in 1870, following a horrifying run of lynchings and other violence.

In the course of the 1920s, the organization was restyled, with an eye to broad public acceptibility. By mid-decade, the Klan attracted some 2.5 to 4 million members and played a leading role in political, social and business life.

The culmination came on August 8, 1925 and September 13, 1926, when tens of thousands of robed and hooded knights paraded through the Nation's capital, claiming their place in the American mainstream.

"Dear representatives of the Fellowship Forum" (March 3, 1926)

James S. Vance, the Forum's General Manager, combined America First boosterism with cash pay-outs to subscription agents.

"There is always work for loyal Americans to do because America’s enemies are at work every minute of the day. We must arouse the sleeping Protestants throughout the country and get them properly informed. Interview every Protestant in your territory and solicit his subscription. They will learn the truth by reading The Fellowship Forum ....How about the BONUS?—do you want it? If so show some speed!"

Mary Elizabeth Tyler (1881-1924), cofounder of The Southern Publicity Association.
Edward Young Clarke (1877- after 1939), cofounder of The Southern Publicity Association.

When it came to relentless huckstering, Vance wasn't doing this alone.

The Fellowship Forum's bold expansion was managed by The Southern Publicity Association, the Atlanta-based advertising and fundraising agency that also programmed the rise of the Second Ku Klux Klan.

A historical postcard from Stone Mountain, Georgia.

On November 25 , 1915, William Joseph Simmons (a Protestant preacher) led 16 stalwart "Knights" to the summit of nearby Stone Mountain.

Robed, hooded and masked, they reconsecrated the Ku Klux Klan, amidst neo-chivalric antics not seen for decades.

Imperial Kleagle Edward Young Clarke (in black, to the left of the flag) was the ranking Klansman at this Illinois rally circa 1920 (Library of Congress)

We don't know for a fact that Edward Young Clarke was on top of Stone Mountain with Simmons on that fateful night —but if not, he wasn't far off.

From 1915 to 1922, Clarke served at Imperial Wizard Simmons' side, as Imperial Wizard Pro Tempore (Chief Deputy) and Imperial Kleagle (Head of Recruiting).

The cover of an early Second Klan handbook out of Atlanta (1917)— crude and  forceful in style, it was designed by W.J. Simmons himself (as signed at the bottom).

"We were here yesterday, We are here today, We will be here forever."

At the outset, Simmons doubled-down on his Invisible Empire's connection with the past, flourishing every symbol and motto he could find.

America, however, was looking ahead —in the full flush of White Protestant Fraternalism and entering the age of modern advertising.

"An Urgent Call to Real Men"? That was cutting out half the population... The WKKK (Women of the Ku Klu Klan) would be founded in 1923.

A Klu Klux Klan recruitment brochure (circa 1923), promoting the "faithful maintenance of White Supremacy". The first "K" on the robe presumably signifies "Knight" .

By 1920, Clarke and Tyler founded The Southern Publicity Association.

In June of that year, they stipulated a contract with Grand Wizard Simmons (whose previous recruitment efforts had been scattershot at best).

Clarke was already their inside man as Imperial Kleagle the Klan's chief strategist and enrollment officer.

Their task was to restructure the KKK as a centralized membership organization. In return, Clarke and Tyler would pocket a share of the fees.

In June of 1921, the Fellowship Forum began publication helping normalize Klannish activity in a wide sector of American Society.

(Eventually, the Association's accounts would include the Anti-Saloon League, the Armenian Relief Fund and the American Red Cross, as well as the Klan and the Fellowship Forum.)

A Washington scene, preserved on a somewhat decayed glass negative (Library of Congress)

This intriguing image was staged in Washington DC, in sight of the Capitol, on November 1, 1921. We see two conspicuously liberated women (by the standards of their day) with their plus-fours, their bicycles and their dog.

Why are we featuring this here? The photo records one of The Fellowship Forum's earliest publicity campaigns —only four months after the appearance of their first issue on June 24, 1921.

Miss Florence Deering and Miss Evelyn Morey visit Asheville NC on behalf of the Fellowship Forum and American Masonry (Asheville Citizen-Times, January 8, 1922)

This was the softest possible approach to Protestant Fraternalism (and now Sorority), much favored in these years— sending Florence Deering and Evelyn Morey, two youngish Christian ladies, on a cross-country bicycle trip from Washington DC to San Francisco.

They were "accompanied by 'Buddie', a German police dog, given them when they were doing YWCA work overseas."

"The young ladies represent the Fellowship Forum, a national publication in the interest of Masonry, and were accorded every welcome and courtesy by Asheville Masons. They reported a good volume of business for their publication."

Florence and Evelyn were routed through the heart of Klan Country in the South, but in this article we hear only of "Masonry" and not even the "Militant" kind. Now —a hundred years later—we can merely wonder about their conversations on the ground

The house the Klan built —or at least paid for.  In the Atlanta neighborhood of Buckhead, this Old Plantation fantasy was created for Mary Elizabeth Tyler in 1921, while she was pulling in huge sums from KKK members.

What was in this for Edward Young Clarke and Mary Elizabeth Tyler (apart from maybe saving White Protestant America)?

Power, influence and a vast amount of money.

According to their 1920 agreement with Simmons, they claimed $8 from every $10 initiation fee (with the other $2 going to Simmons).

Meanwhile, it was up to Clarke and Tyler to finance the membership drive, with hefty finders' fees going to hundreds of Kleagles (recruiters, not Imperial) across the country. (In fact, we are looking at a classic pyramid scheme.)

By the end of 1921, the KKK had already attracted more than 700,000 members (as estimated, since it was a secret society with its records closely held).

Clarke and Tyler should have netted some $1,750,000 from initiation fees alone in 1921 (worth some $32,000,000 today).

Meanwhile, the two Southern Publicity Association partners added another layer of profit to their business plan, manufacturing and selling robes, hoods and other Klan regalia —setting themselves up as sole authorized suppliers.

Inside the Ku Klux Klan: A "drunken" Imperial Wizard then Clarke and Tyler's "ill-gotten gains" (New York Times, July 17, 1922)

Then the crash came...

Clarke and Tyler were an irregular couple with a lively public history of sexual transgession, including an arrest on morality charges —now showcased in their lavish new home.

Then their financial machinations emerged— arousing anger and presumably envy within the organization.

In 1922, the Klan fired Louis D. Wade as Kligrapp (branch secretary) and filed an injunction to stop him defaming Clarke and Tyler. That left Wade no choice but to break open the full story.

We can hardly improve on Wade's own sworn deposition (above): Clarke (Imperial Wizard Pro Tempore, Imperial Kleagle and Imperial Klaliff, all at once) preyed on the drunken condition of Simmons (Imperial Wizard), allowing Clarke and Tyler to "suddenly become enormously wealthy from ill-gotten gains collected from the ranks of Ku Klux men."

Simmons, Clarke and Tyler were all eventually sidelined within the organization, but the Klan forged ahead —building on their innovations for a few more years at least.

327 Pine Avenue in Altoona PA, the now rather neglected greenish structure in the middle, home of prospective Klan member C.D. Myton back in 1923.

According to a National Bureau of Economic Research working paper, new Klan members were expected to spend $23.30— right up front— including the $10 initiation fee, a $6.50 robe, a $5 membership fee and a so-called "imperial tax" of $1.80. That represented approximately $430 in 2026 money.

Then came recurring annual charges... Klansmen tended to be better educated and more financially stable than average Americans, generally able to meet such expenses.

Still, $23.30 was serious cash for a respectable lower middle-class guy like railway clerk C.D. Myton. He might have earned $37 a week while living in a modest but comfortable 3 bedroom, 1 bath house on a hill in Altoona, PA.

Myton began the membership process in 1923 but evidently stopped short of joining.

St. John's Roman Catholic Cathedral in Altoona in 1905. This complex was leveled in 1924 to begin construction of the vast new Italianate Cathedral of the Blessed Sacrament.

Altoona was a small but thriving city in those years, with 60,331 inhabitants according to the 1920 census, rising to 82,054 in 1930.

A major railway center, in Altoona the Pennsylvania Railroad Company employed some 15,000— including C.D. Myton— mostly in its vast workshop complex.

Altoona boasted the largest Klan organization in the area, with some 2,800 members. Meanwhile, approximately 200 other Klan groups were dispersed throughout Western Pennsylvania, mustering at least 140,000.

In that part of the world, the Klan fixated on the Catholic menace. Altoona had an estimated 40 to 50 Protestant churches in those years, embracing a dozen or so denominations.

It also had its own Roman bishop, 7 Catholic parishes and 42 parochial schools with over 11,000 students.

These Klan application documents for C.D. Myton of Altoona PA (1923) appeared at auction in 2020.

"Your friends say you are 100% American and invited you to present this card"—which is the ticket of admission to a "patriotic lecture" at the Jaffa Temple (a Masonic Shrine). The "friend" in question was evidently the cryptic "89" (who might have had a finder's fee in play).

Myton evidently attended on February 2, 1923 and presented the application —which he presumably aced, since it wasn't mined with trick questions.

Were your parents born in the United States of America? (Yes)

Are you a gentile or jew?  (Gentile)

Are you of the white race or of a colored race? (White Race)

Of what church are you a member? (Lutheran)

Do you believe in White Supremacy? (Yes)

Do you believe in the principles of a PURE Americanism? (Yes)

Do you honestly believe in the practice of REAL fraternity? (Yes)

We also learn that Myton is 32 years-old, married, high-school educated, a clerk for the Pennsylvania Railroad Company, a Republican and a Knight of Pythias.

And No, he does not "owe ANY KIND of allegiance to any foreign nation, government, sect, institution, people, ruler or person".

in Altoona PA in 1923, the "Catholic Church" and the "Pope of Rome" were surely at the top of the list  —but "sect" and "people" left plenty of space for Jews too.

Jaffa Temple, the Masonic Shrine in Altoona PA, served as a nexus of Klan recruitment.

(4) ANTI-CATHOLICS AND ANTI-ITALIANS

Cartoon by Reverend Branford Clarke in the book Klansmen: Guardians of Liberty, authored by Bishop Alma White of the Pillar of Fire Church in Zarephath NJ

"Saint Patrick's Day in America—1926"

With its dense imagery and fuzzy cross-hatching, it is hard to believe that this cartoon is only a hundred years old.

The anti-Irish vehemence seems quaintly old-fashioned too— but the authors were on the far edge of Protestant evangelicalism, in a cosmic time-warp of their own.

"Brother Jonathan" (a forerunner of Uncle Sam) and "Young America" confront Irish-Catholicism with the help of the Protestant Bible. This Currier and Ives print was issued in 1855, at the height of the Know-Nothing movement (to which "Young America" alludes). For the contemporary context, including American-Jewish anti-Catholicism, see here.

In fact, the print  reverses an image from 70 years earlier.

There we see Irish Catholics and Irish Catholicism landing on American shores— with nary a hint of the devastating Potato Famine (1845-52) that propelled them.

Saint Patrick drove the snakes from Ireland in the Fifth Century. Then in America in the Twentieth Century, the refounded Ku Klux Klan somehow reversed the process.

Paddy's "snakes" deserve a closer look:

* Control of Schools * Control of Press * Temporal Power * Superstition * K(nights) of C(olumbus) * Anti Prohibition * Rome in Politics * Intolerance * Union of Church & State *

These were clearly 1926 issues. Back in 1855, Institutional Catholicism was only an abstract menace in America, not a real-life presence.

Brother Jonathan and Young America could scarcely envision a large and entrenched Catholic population, a massive Catholic school system, an extensive Catholic press and countless Catholics entering local and even national politics.

As for the Knights of Columbus ("K of C"), they were not founded until 1882.

"REGARDING THE ITALIAN POPULATION / A Nuisance to Pedestrians /Their Sleeping Apartments / Afternoon's Pleasant Diversions / The Way to Dispose of Them / The Way to Arrest Them". From The Mascot (September 7, 1888), New Orleans' most sensational newspaper.

Then there was the bigger picture: Toward the turn of the century, surges of Catholic immigration from other places (especially Italy and Poland) began diluting the old Hibernian majority.

The Irish, however, often dominated the Church hierarchy and shaped the public face of American Catholicism.

Anti-Italianism was rife but— curiously enough— not explicitly anti-Catholic, although the Popes were all Italian and the Church spread its tentacles from Rome.

In fact, the deadliest eruption of anti-Italian feeling occurred in New Orleans in 1891, where over half the population was Catholic.

From Judge (1903, cartoon by Louis Dalrymple). Although the Italian menace predominates, there are less obvious references to Asians, Eastern Europeans and maybe Mexcans.

Politically subversive rats infested with mafia criminality, violent anarchism and presumably other diseases?

Anti-Italianism in those years was blatantly racist, with a heavy dose of political and cultural anxiety tossed in.

857,046 immigrants arrived in the United States in 1903, including some 285,000 Southern Italians (the largest single group).

In terms of threat, however, the half-million or so non-Italians barely figure in this issue of Judge, a popular satirical magazine.

Meanwhile, the ghost of President William McKinley— assassinated in in 1901 by a Detroit-born anarchist of Polish (not Italian) extraction— reacts to the perils of immigrant dumping with a distinctly Italian gesture.

The late Prime Minister Silvio Berlusconi.

Fare le Corna...

Configuring the horns of the Devil to ward off the Evil Eye— utterly all'italiana.

(5) JOHN BOND IN ROME

In The Pillory (1927), with "European Correspondent of the Fellowship Forum" proudly embossed on the cover, not merely the title page.

When we open John Bond’s, In The Pillory: The Tale of the Borgia Pope, it looks and feels like a quirky “period piece”.

But bigotry often has a timeless quality and this is another case in point. We already focused on the "Saint Patrick's Day in America—1926" print from that same moment.

In The Pillory: Tale of the Borgia Pope, in NIne Crowded Chapters, 39 Spendid Illustrations (Photo A.C. Daniel)

In The Pillory was published in 1927 (by way of The Fellowship Forum and The Independent Publishing Company, both of Washington DC).

Still, it breathes the centuries-old air of anti-Catholic fact and fantasy, especially the rock-ribbed British Protestant kind. Guy Fawke's Night bonfires, "No Popery" and all that...

From  The Chronicles of Enguerrand de Monstrelet (London, 1853). A 19th Century image set in 15th century Flanders.

Embedded in Rome, in the very lair of the Papal Beast, Bond signed off on his preface in December 1926 (Year IV of the Fascist Era).  He is putting the Catholic Church In The Pillory, he explains, in the person of that stellar reprobate Pope Alexander VI Borgia (reigned 1492-1503):

"There is more than one Chamber of Horrors in the Museum of History, but none like that of the Borgia. The central figure is that of Roderigo Borgia, who as Alexander VI sat on the papal throne for upward of eleven years; around him are grouped his mistresses; a brood of bastard children; a retinue of henchmen and an endless procession of victims. It was the darkest period in the life of Christianity, just before the dawn of the Reformation. Rome had become a sink of unspeakable corruption where, in the words of Dante, 'Christ was sold every day.'"

The Borgias: Alexander VI and His Children Lucrezia and Cesare Borgia Participate in the Transport of the Duke of Gandia's Body After It Was Fished Out of the Tiber (wood engraving by Lorenzo Pogliaghi, 1897)

In Pillory, Bond seeks to distance himself...at least somewhat... from anti-Catholicism of the more vulgar sort. His alleged argument is not with that faith ...as a faith... but its authoritarian abuses—especially in the political sphere.

"They... recognize the distinction between Catholicism as a religious creed and Popery as a fraudulent and un-Christian institution. Our warfare is directed not against Catholics, whether they are of the Roman or the Greek or any other persuasion —it is directed solely and wholly against the Neo-Caesarism of the popes. Our quarrel is not with the profession of any religious faith but with a political system invented and kept alive to enslave the minds of mankind and to destroy the freedom of conscience."

We may or may not take Bond’s protestations of quasi-tolerance at face value, as he thrashes his way through a time-worn tale of poisoned chalices, mutilated corpses, papal mistresses and orgies on the very altar.

In any case, he ends his preface with a rousing call-to-arms:

"The Borgias are dead and gone but they are still brewing poison in the Vatican."

What can that possibly mean? After five centuries, Zombie Borgias prowl the Papal Palace... crafting the same old toxin... and thus BENITO MUSSOLINI?

I have read through Wild Man several times (a journey I would not recommend to most)—and the screed becomes more puzzling rather than less.

Rome as the Eternal Capital of Catholic Evil? Not a new concept.

Bond’s animus, however, was “directed solely and wholly against the Neo-Caesarism of the popes”—their political and territorial imperialism, that is to say.

The Monument to Giuseppe Garibaldi (by sculptor Emilio Gallori, 1895) on the Janiculum Hill in Rome. From this vantage point, in 1870, the Hero of the Two Worlds and his Red Shirts surveyed the soon-to-be Capital of United Italy.

Something is missing here... A lot of Italian history, in fact... The Risorgimento, just to begin.

In 1870, the rapidly emerging Kingdom of Italy annexed the City of Rome and expunged the last remnant of the State of the Church from the world map.

A half century later, Bond was sounding the old alarm —long after most observers had consigned Papal Caesarism to the dustbin of history.

Wild Man, p.95.

Writing in 1927 (Pillory) and 1929 (Wild Man), this Borgia-obsessed anti-Catholic polemicist had a very specific development in mind —the looming Patti Lateranensi (Lateran Accords) between the Papacy of Pius XI and the newly-fascist Kingdom of Italy.

Fascism and the Vatican... The double threat of Duce and Pope... There was only one sticking point: the Duce himself.

Wild Man, p.102.

Benito Mussolini may have been many things but even a mildly observant Catholic was never one of them.

The eventual Duce's radical blacksmith father named him after Benito Juarez, the Mexican revolutionary and anti-cleric. Then in the course of his tumultuous career, he bounced from the Left (Socialism) to the Extreme Left (Anarchism) to a newly-invented Right (variously National Socialism, Corporate Statism and/or Fascism).

Mussolini remained (more or less) an atheist until the very end, thereby proving Bond's main point: Cynical Opportunism was the true Roman Way— time-honored and Borgia-approved —whether garbed in a cassock and triple tiara or a black shirt and tasseled fez.

Wild Man, pp.102-3.

Bond attests with some pride, "This book has been written from a good post of observation under the very eyes of the fascisti government but not under its guidance or by its dictation.” (Wild Man, Preface, p.10)

That was no small claim, since the Mussolini regime kept journalists on a very short leash— even foreign eccentrics like Bond. Still, there was much to observe in those days, weeks and months.

“PEACE AND JOY, 11 February 1929 – Year VII. Souvenir.”, from left to right, King Vittorio Emanuele III, Pope Pius XI and Prime Minister Benito Mussolini. Although the Pope is allotted the starring role, the Fascist dating scheme (ANNO VII) is included.

The author of Wild Man signed off on his preface in 1928, but the title page reads 1929 —just in time for a stop-press update (see below) regarding the 11 February 1929 Concordat.

More "PEACE AND JOY" with Pope Pius XI front and center, flanked by Cardinal Gasparri (Papal Secretary of State) and Benito Mussolini (Italian Prime Minister). King Vittorio Emanuele III is nowhere to be seen.

On paper at least, the Patti Lateranensi (Lateran Accords) ended the long stand-off between the Church and the avowedly secular Kingdom of Italy— as it emerged from the Risorgimento, until it was subsumed into Mussolini's Fascist State.

Vittorio Emanuele III, Benito Mussolini and Pius XI share equal billing, although the Duce appears conspicuously in the middle (under a fascio), perhaps implying his role as mediator.

Going into the negotiations, there were complex issues of protocol and more. The Church did not yet recognize the Italian government, so the Pope could not deal directly with Mussolini, King Vittorio Emanuele III or their representatives.

What was the current legal and diplomatic status of the Church? After 1870, was it still a geopolitical entity or not? Was Pius XI merely a religious leader or also a head of state?

And who spoke for Italy? In theory, it was a constitutional monarchy ruled by King Vittorio Emanuele III, whom Mussolini served as Prime Minister. In real terms, however, the Duce was the Duce (Leader or Commander) and called most of the shots.

11 February 1929, at the Lateran Palace following the signing of the Acords. Benito Mussolini is at the center of the group (in formal attire with top hat). Cardinal Pietro Gasparri (Pius XI's Secretary of State) is to his right.

Bond observes,“In their ideal fascisti state they furnish the political hierarchy which co-operates in its own fashion and upon its own terms with the hierarchy of the church.” (Wild Man, pp.102-3)

Since expediency is all that counts— on both sides— "faith" and "belief" are left out of the equation.

7 June 1929: Mussolini (seated next to Secretary of State Cardinal Gasparri) calls at the Vatican to ratify the Lateran Accords in full ceremonial court dress— emphasizing his role as emissary of a king. He knew to temper his wildness when the occasion required.

How about Bond's "World-Alliance Between Clericalism and Fascism", with its ancient roots?

Did it actually exist or were the Lateran Accords a strictly Italian affair— firmly lodged in the present day?

On one side stood the political representatives of the Italian State, on the other the overwhelmingly Italian agents of the Universal Church.

They were all fighting for space in both the Eternal City and the new Italy— and by 1929, they were ready to make a deal.

Bond, Wild Man, p.100.

Bond sketched in the terms of the Accords, which were negotiated "in deepest secrecy".

First there were issues regarding the Papacy and its political relationship with the rest of the world. Italy recognized it as a sovereign entity with its own (minuscule) territory, its own laws and its own diplomatic relations with other states. The Kingdom of Italy would retain most Church properties seized during the Risorgimento but agreed to pay compensation.

In the eyes of many, these were relatively minor concessions compared with the rest. The Italian State— quite stunningly —granted the Catholic Church massive influence in the daily lives of any and all Italians, some of whom were not even nominally Catholic.

In the Lateran Accords, Catholicism was privileged as Italy’s official religion. Catholic religious instruction was introduced in Italian public schools. The Church was given an essential role in defining the norms of marriage. And God only knew where this was going to end…

A Luzzatto family shrine in the Museo del Risorgimento in Udine, with portraits of Riccardo and Adele, plus Riccardo's letters to his family from the Garibaldi campaign. (Photo Edward Goldberg)

Two constituencies were particularly alarmed by the Lateran Accords, Italian Jews and Italian Freemasons.

From the very beginning, Jewish equality was bred into the DNA of the liberal Kingdom of Italy as it emerged from the Risorgimento.

Many Italian Jews still viewed the Catholic Church as their natural enemy, especially those who had been liberated from Ghettos only with the fall of the Papal regime sixty years before.

As for the rise of Mussolini, some Jews might pretend—for a while, at least—that the Fascist State was not a threat, merely the natural heir to the empowered Italy of the Risorgimento.

Until they were proven tragically wrong...

The National Racial Laws of 1938—just nine years after the Lateran Accords. “Following the Deliberations of the Council of Ministers: Jews cannot…serve in the military…work as tutors…own businesses associated with national defense…own land or buildings…have Aryan domestic servants. Also, Foreign Jews are expelled. Jews can no longer participate…in military and civil administration…in the [Fascist] Party… in provincial and civic entities…in state-run entities…in banks…in insurance associations. Jews are excluded from Italian schools.”

John Bond was the European Correspondent of The Fellowship Forum, “Freemasonry’s Representative at the Nation’s Capital” in Washington DC.

He had not a word to say about Italian Jews, which included a conspicuous number of prominent Masons. Still, he devoted 27 impassioned pages with 9 illustrations to the plight of Italian Masons more generally.  

Freemasonry is an international movement that came out of the European Enlightenment, uniting liberals, free-thinkers and especially opponents of "Catholic Superstition".

Its enlightened humanism could take curious twists and turns, however—as we saw in early 20th-century America with the rise of “Militant Freemasonry” locked in step with the Ku Klux Klan.

Memorial plaque at the Grand Lodge of Montevideo, marking the bicentennial of Giuseppe Garibaldi’s birth. This lodge was chartered by the Grand Lodge of Pennsylvania on February 6, 1832.

In Italy, Masonry had its militant aspect as well— linked to the Risorgimento struggle for national unification.

Giuseppe Garibaldi, “Hero of the Two Worlds”, was initiated in Montevideo (Uruguay) in 1844, then received the High Degrees of the Scottish Rite in Turin in 1862. Wherever he went, he forged connections with fellow masons— often nationalist patriots essential to his endeavors.

In the spring of 1864, representatives of Italy’s 72 lodges met in Florence and on 21 May, they proclaimed the formation of the Grande Oriente d’Italia—a central coordinating lodge for the emerging nation— with Garibaldi himself as Grand Master.

“Italian Masonry to the Grand Master Giuseppe Garibaldi in the Year 2660 on the Centennial of His Birth.” The Masons calculated the date 1907 by working from 753 BC, the founding of Rome.

ROME OR DEATH! Garibaldi’s stirring pledge to unite Italy and retake its natural Capital.

In 1907, Italy’s Freemasons added a bronze laurel wreath with their Compass and Square to the base of the National Garibaldi Monument at the crest of the Janiculum Hill.

This fraternal tribute didn’t remain there long. After the Lateran Treaty of 1929, Mussolini reoriented the equestrian statue —with Garibaldi looking out over the great expanse of Rome, not peering down on the newly relinquished Vatican City.

The Duce then removed the Masonic emblems, replacing them with orthodox Fascist symbols (the Compass and Square were reinstated in 1943).

“The History and Mysteries of Masonry” (Rome, 1925) with a dedication to Benito Mussolini. The cover by Carlo Rivalta features a black-shirted youth lopping off the tentacles of the piovra (octopus) of Freemasonry.

What did Benito Mussolini think of Giuseppe Garibaldi?

On one hand, Garibaldi was a prodigious military and patriotic phenomenon. Without his Risorgimento, there would be no modern Italian state —the Duce’s included.

On the other hand, Garibaldi was a free-wheeling liberal and an old-fashioned democratic individualist —totally out of step with the Duce’s new program.

Also, leaving ideology aside, the Duce could not bear to be upstaged.

Even in death, Garibaldi was too charismatic for the Duce’s liking and Garibaldismo too deeply engrained in the Italy’s patriotic soul.

This evidently 19th-century print of Giuseppe Garibaldi in Masonic garb, with a profusion of relevant symbols, is widely diffused on the web, without reliable sourcing.

And then there was the Masonic thing…

Mussolini was relentlessly on point and “Freemasonry" an intolerable distraction at best.

Left to right: Giovanni Gentile (editor), Benito Mussolini (promoter) and Giovanni Treccani (publisher) preside over the first (1929) edition of the Enciclopedia Italiana Di Scienze, Lettere Ed Arti (Italian Encyclopedia of Sciences, Letters and Arts)

Giovanni Gentile was Benito Mussolini’s Minister of Public Instruction and (according to Mussolini) the “Philosopher of Fascism”.

In 1925, Gentile famously proclaimed the essential truth of the Corporate (we might say “Totalitarian”) State.

TUTTO NELLO STATO, NIENTE AL DI FUORI DELLO STATO, NIENTE CONTRO LO STATO.

(EVERYTHING IS IN THE STATE, NOTHING IS OUTSIDE THE STATE, NOTHING IS OPPOSED TO THE STATE.)

The Political and Social Doctrine of Fascism; a 1932 extract of Mussolini's ghostwritten article intended for wider distributon.

Who else but the Duce could enunciate the Doctrine of Fascism for the ages by way of the Italian Encyclopedia?

Who else but Giovanni Gentile could put the perfect words in the Duce’s mouth —and not for the first time?

Dottrina, p.11

"If we accept that the Nineteenth Century was the century of Socialism, Liberalism and Democracy, it need not mean that the Twentieth Century is also a Century of Socialism, Liberalism and Democracy. Political doctrines come and go, but the people remain. Therefore, we can think of this as a Century of Authority, a Century of the Political Right and a Fascist Century. If the Nineteenth Century was the Century of the Individual (since Liberalism means Individualism), we can think of ours as a Century of Collectivism and by extension a Century of the State."

Benito Mussolini signs off on Giovanni Gentile’s article, Dottrina, p.15.

An Italian  Masonic Lodge Ransacked by Mussolini's Blackshirts

https://www.grandeoriente.it/11-ottobre-del1924-le-sedi-del-grande-oriente-roma-milano-palermo-devastate-dalle-squadracce-fasciste/

Freemasonry was certainly “Outside the State”—Mussolini’s at least— and  by the prevailing rule, “Opposed to the State”.

There was nothing subtle or restrained about Benito Mussolini’s handling of the “Masonic Problem”—and we can say much the same for John Bond’s coverage.

Bond, Wild Man, p.149.

However equivocal his appreciation of Garibaldi  there were no doubts or hesitations when it came to Benito Mussolini’s hatred for the Masons.

In recounting the persecution of his fellow Masons, he often lapses into the breathless and sometimes ghoulish prose that he previously lavished on the Borgia

Bond, Wild Man, preceding Chapter XI, The Massacre of the Masons. The scene here perhaps refers to the anti-masonic violence in Verona, evoked on pp.163-4. Although Verona was notorious for its violent fascist squadrismo, I have found no indication on the web of the mass ejection of Masons from the windows of their lodge in that city.

Wild Man p.163

Mussolini e Massoneria

Bond is refreshingly frank about this all being utter hearsay.

We could saythat much of John Bond’s “reporting” is factually suspect at best and borderline hysterical at times—but we need to remember that there was a near black-out in the Italian press on news of this kind. So, Bond and his masonic friends and informants were presumably snatching any information that came their way and using it to fill the gaps.

We can imagine the escalation from 3 to 30 to over 300

PILLORYHeading Chapter 9

ROMANISM OF TODAY NOT ASHAMED OF ITS CRIMINAL POPE. LEO XIII RESTORES BORGIA APARTMENTS, THE PLAGUE OF ROME AND THE VATICAN—BURIED BENEATH ST. PETER'S AMONG CANONIZED POPES—QUESTIONS WHICH SHOULD BE ANSWERED BY THE "KNIGHTS OF COLUMBUS."

Everything for Bond is "evidence"

In use since 1883 design (year of Mussolini's birth) "A new design"

p.101 Wild Man

The Knights of Columbus was the conduit for great sums of Italian Catholicmoney that went to the Vatican

The K of C was a parallel but opposed organization to the Masons

The Fascists and the Church found a shared enemy in the Masons

Returning to "weeds" and "hothouses", John Bond might have been obsessed but he wasn't wrong when it came to the Mussolini 's calculated manipulation of the Italian community in America.

The Fraternal Press in America

Some fraternal societies were good, others beyond the pale--KofC

(5) THE MUSSOLINI MOMENT IN AMERICA

Where is Bond coming from?

Where is Bond not coming from?

In the old days, anti-Catholicism was directly overwhelmingly at the Irish--and Anti-IItalianism largely left Catholicism out of the argument

The bloodiest AntiItalianism came out of New Orleans -- with a dominantly Catholic history and culture.

Bond was more right than wrong when it came tio Mussollni's workings in America

Motion Picture Magazine (1927) . Far right, Mary Pickford ("Americas's Sweetheart) and second from right, her husband the dashing Douglas Fairbanks; in the center, a hat-waving Douglas Fairbanks Jr. in full Hitler Jugend mode.

July 21, 1933: Italo Balbo does the Fascist hat trick at a massive Italian-American gathering at the Madison Square Garden Bowl in Long Island City and a broader radio audience.

The rise of Mussolini coincided with advent of the Star System in Hollywood (not to mention Cinecittà in Rome).

The Mussolini regime was brilliant when it came to harnessing star power...in fact, it began with the ultra charismatic Duce himself

Marconi

Balbo--the most compelling of the Duce's surrogates (so compelling that there wasn't room for both of them   on the same stage in the same regime)

Not just top-notch celebrities but also everyday Italian Americans

Ray Tucker, Washington Correspondent for the New York Telegram, published three-part article that appeared in more than 50 papers in July 1927 including an italian translation in Il Nuovo Mondo (July 29, 30 and 31 1927)

Which is why the external captioning of the Engliosh-language cartoon is in Italian.

Il Nuovo Mondo was an Italian language anti-Fascist daily newspaper which was published in New York City and then, in Chicago between 1926 and 1931. The paper was the first anti-Fascist daily published abroad by the Italians.[1]

childlike figure delivering laundry

"This isn't our style"

"Il fascismo non è merce da esportazione" Mussolini

Liberal columnist & an Italian-American Socialist newspaper

The Klan marches in Washington in 1925.

In 1927, the Klan reference was far from idle.

'The Black and White Brotherhood' — American cartoon published in the New York Call (11 November 1922) showing an Italian Fascist gazing across the ocean to his 'brother' in the KKK. Artist: Ryan Walker.

Socialist paper Walker was intensely involved with racial issues--especially lynching and the KKK

Were the Fascists and the Klan on the same side?! Working on the assumption that all his enemies are necessarily friends

Playing up the Italian connection

Bringing it back to Washington

Alfred E Smith iss the big story

WHO WAS JOHN BOND???

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