There are 60 million people in Italy of whom 30 thousand are Jewish.
Virtually everyone else is Catholic —by history, habit and culture at least.
A view of Tutti i colori dell'Italia ebraica (All the Colors of Jewish Italy), a stunning show at the Galleria degli Uffizi in 2019, featuring textiles and other decorative arts (Photo Lyle Goldberg)
Even today, Jews in Italy occupy an obscure realm of their own —in the midst of things but just out of sight.
There are museums, of course. There are memorials, cemeteries and ruins. All the usual markers of a puzzling people who survived for millennia against the odds.
But when it comes to living breathing Jews, Italians instinctively look away. Is there really nothing to see?
I searched in vain for the unforgettable wall chart of Ancient Peoples in my fifth grade classroom but even eBay failed me. Here is a section of something vaguely similar, with "Israel/Judah" (above) —not "Hebrews", alas— clocking in just ahead of "Etruscans" (below).
At about the same time— late 1950s —but thousands of miles away, I encountered such chronology in a wall-chart in my fifth grade classroom.
We were studying what passed for Ancient History back then. Each nation, people or culture had a beginning and end date, plus a defining "contribution" or two. "Hebrews" included...
As the lone Hebrew in the room, I was proud to figure as an Ancient People (albeit at the very bottom of the list, slipping from BC over into AD). My "contribution" was "One God" and "Biblical Literature" (thereby finessing the "Old Testament/New Testament" thing).
This edition was published in 2024, long after my time.
Meanwhile, there was another requisite that only I could claim. Unlike my classmates, I knew my way around the Ancient Peoples' Neighborhood— just by doing the normal things that Jewish kids do ("Jewish" meaning East Coast Suburban Ashkenazi).
I had already met the Egyptians (Slavery and Passover), the Babylonians (Destruction of the First Temple, then Talmud), the Persians (Queen Esther and Purim), the Assyrians (Judith of Bethulia with Holofernes) and the Seleucids (bad guys at Chanukah, defied by the Maccabees).
14 May 1948: Roman survivors of the Holocaust gather with Rabbi David Prato at the Arch of Titus to celebrate the declaration of the State of Israel. The Arch of Titus is a recurring theme in my unpublished book Carnival Blood, especially Chapter Five: The Passion of Christ (Rome).
There have been Jews in Italy for two thousand years— well before there were "Italians", I would argue.
A relief on the Arch of Titus (81 AD), showing booty from the Temple in Jerusalem destroyed a decade before.
The Hebrew captives in Titus' imperial triumph in 71 AD knew perfectly well that they were Iudaei— a designated peoplewith a shared faith.
At that time, the surrounding Italici were a mixed lot— merely Roman residents of the peninsula, not even Christian yet.
They would have to wait until the Risorgimento— eighteen hundred years later— for "Italian" to mean what we take for granted today.
Lyle Goldberg photographs the synagogue at Ostia Antica, the old port of Rome. (Photo Edward Goldberg)
Theories abound regarding the first appearance of Jewish travelers and traders in Italy— perhaps even before the Judaean Wars and the diaspora of 71 AD.
A rendering of Jewish ritual items on a capital at the synagogue in Ostia Antica, probably dating from the Severan dynasty, 193-235 AD. (Photo Lyle Goldberg)
But do objective dates really matter, when it comes to Jews and their doings?
For Italians, they embody a remote history of their own— which is to say, no tangible history at all.
In the Old Jewish Cemetery in Florence (Photo Lyle Goldberg)
But it's funny how little that matters when you are there on the ground.
From the moment of my first arrival, Italy felt like home.
How could that possibly be?!
Presepe (Nativity Scene)figures at San Gregorio Armeno, Naples. The multiple Josephs and Marys mingle with other more exotic characters.
Above all, there is the counter-effect of everyone in Italy being more-or-less Catholic.
Since the legacy of the Church permeates most aspects of life, few stop and take notice in the course of a normal day.
Oxford: me in pompa magna taking my doctoral degree (1980), plus a few views of my college, Lincoln. (Photo montage Edward Goldberg)
Then there is my own personal history...
I spent most of the 1970s as an Art History grad student at the University of Oxford, commuting to Italy for my dissertation research.
It didn't take long for me to grasp an essential truth:
The God of My People never meant me to be an Englishman —but somehow, a quasi-Italian seemed just fine.
Autumn in the Chianti just before the grape harvest (circa 2000; photo Agostino Quaranta). Looking over my shoulder, Maria Callas, tutelary deity of Temperament. (Portrait by Ulisse Sartini, Museo Teatrale alla Scala, Milan) (Photo montage Edward Goldberg)
Let me explain...
Oxford is a wonderful place and it was a huge privilege to spend years there.
Still, temperament is temperament and it was never "home".
Florence: Miscellaneous postcards picked up over the years. (Photo montage Edward Goldberg)
Sure, there is art and history in Italy—lots of both.
But there are also human relationships and daily life.
An iconic advertisement found in Piazza dei Ciompi, Florence's famous flea-market. Not a Bar Mitzvah buffet but close enough.
Whether you are American Jewish or Italian Catholic— observant or not on either side— there is always the Big Three: Family (Famiglia), Food (Mangiare) and Looking Good (Bella Figura).
So, I was seldom taken by surprise, when it came to the basics at least.
Meanwhile, the old Mediterranean gene pool kicked in. Wherever I went in Italy, I could count on melting into the crowd.
"The Italian Thing": Representing a well-established genre of online expression.
Unlike me, American and British friends (Gentile, of course) were constantly thrown for epic loops by Italians simply acting ike Italians.
They would make grave observations. All would nod in shared bemusement. And I was left wondering, "What's your point?"
Shylock with Solanio and Salarino, engraving by H. C. Selous (from The Merchant of Venice in The Plays of William Shakespeare, Cassell & Company, 1860s)
"IN ITALY, IT’S NOT WHAT YOU KNOW, IT’S WHO YOU KNOW!"
Objective standards should count more than personal relations? Interesting idea, but I don't see it catching on.
"TIME HAS NO MEANING! HE WAS SUPPOSED TO PICK ME UP ME AT WHATEVER O’CLOCK AND WE WERE SUPPOSED TO GO… (etc)."
Italian Time meets Jewish Time! He will do his best to leave his house at whatever o’clock and you can plan accordingly.
ESS! ESS! ESS GESUNTERHEYT!
MANGIA! MANGIA! MANGIA CON BUONA SALUTE!
EAT! EAT! EAT IN GOOD HEALTH!
Barbara Streisand as Miss Marmelstein in Jerome Weidman's play (1961).
There is nothing worse than paying full price— whether you are Jewish or Italian. And it’s not only (or even mostly) about the money.
Buying retail is a pathetic admission that you are an utter loser who has flunked out of the system, with nary a “connection” to his name.
“Conosce una persona...” with a nudge and a wink. (“He knows a guy...”)
Or “Er ken zikh oys...” (“He knows his way around..."), with the nudge and the wink already built in.
"Neuroses, you want? Neuroses, I got!" I am devoted to JEWISH HUMOR but could never stomach that annoying and unfunny Woody Allen thing. Meanwhile, my Italian friends hailed him as the chief exponent of American Jewish culture— being the only one they knew.
If your response to most queries is “Funny you should ask!” or "Bella domanda!" ("Fine question!"), you are already in the zone— especially in Florence where cynical humor reigns (and has done so for centuries).
Even in the earliest days— when my spoken Italian was still emerging from its cave— I was hailed for my irony in the local style. "Appena arrivato e già uno spiritoso alla fiorentina!" ("Barely arrived and already a Florentine-style wit!")
I felt like I was cheating of course... All I had to do was translate the sarcastic back-chat I grew up with.
A group of mostly academic friends and I planned a casual dinner in Florence for the evening of September 11, 2001— but then...
So, we found ourselves sitting around the television in the living room, balancing plates of pasta on our laps, watching that same damned video over and over again.
There was only one other American —not a member of the tribe —a lumbering pedant who pounded away at "the situation", shedding truth and meaning from every pore.
At last, he lurched to a stop, flinging a final pronouncement into the air:
"Ma noi proponiamo altri valori e questo è il prezzo della libertà!"
("But we profess other values and this is the price of liberty!")
It was too much for a mere mortal like me.
"Si fanno degli sconti?!"
("Do they offer discounts?!")
That was 25 years ago and the guy I knee-capped hasn't spoken to me since —but il castigo di Dio (Divine Punishment) was quick to come.
Woody Allen in Venice with Manhattan Murder Mystery (1993)
"Umorismo ebraico!"
("Jewish humor!")
"Abbiamo Woody Allen fra di noi!"
("We have Woody Allen in our midst!")
"Hannah e le sue sorelle m'è piaciuto da morire!"
(“I loved Hannah and her Sisters!”)
"Annie Hall era la fine del mondo!"
("It doesn't get better than Annie Hall!")
I looked into their smiling faces— there was no escape!— so I gritted my teeth and smiled back.
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